
Chapter 2
Wanda paints a charcoal sky in the afternoon.
It's a deep and endless shade of black that resembles the night sky—with little pieces of gray and blue left behind wherever it felt like they belonged. She paints the sky for hours but it doesn't feel right, doesn't look at all like she imagined it. Her headache is still there, throbbing through her temples, and that's not helping her get this painting done. It probably doesn't help that there's still a slight shake to her hands, whenever she angles the brush a certain way or turns her wrist in a way that makes it ache.
The sky feels empty on the canvas, like it's staring at her, taunting her for what she's missing, what she can't find. It's waiting for her to do something else, to create something real, so she tries again. Wanda dips her brush into the red paint, smears it over the canvas, then keeps going, throwing paint across the canvas until there are streaks of red smeared all over it and afterwards the sky isn't quite so clear anymore. It's a mess of red and black blurred together, turning into something dark and uncertain.
She gives up soon, leaves the canvas behind, and retrieves the packet of cigarettes from her bedroom. Wanda takes them over to the window, that she wedges open and then climbs through, out onto the fire-escape where she can very clearly hear the music blasting in the apartment above theirs. It's always playing, always just a little too loud, and usually she doesn't mind but today it feels like it's too much.
Today everything feels too loud; the music, the city, even the flick of her lighter as she lights her cigarette. It's all becoming too much, so she tries to escape it by sitting out here on the fire-escape, her usual place when she's looking for a distraction in the streets beneath her. It doesn't work right away, doesn't seem to want to work today, but she keeps trying anyway as she settles in, tucks her knees up to her check, and angles her gaze down at the city.
The lit cigarette burns out between her lips slowly as her attention darts over the busy streets. Sometimes she likes to come out here to sit, and smoke, and see, and just get out of the apartment for a little while. It feels different being out here, different than being inside, cooped up in her bedroom. Sometimes she goes to the roof-top to get away but most of the time she just comes out here. She likes it better here, likes that it's just hers, and it's so lovely at night when the sky is dark and everything is lit up in the city lights.
Most days she's the only one who comes out here, the only one home in the apartment. She soon realizes that she isn't here alone today, when she hears Clint back inside the apartment, walking around the kitchen in search of something to drink. Whatever he's looking for, he soon finds. There's a distinctive clink of two bottles hitting each other, before Wanda looks over her shoulder and finds him standing there by the window. He sighs and makes a low noise of disappointment.
Tsk tsk.
"I thought smoking was a bad habit." he points out, smiling. "That's what Pietro said you told him, about my bad habit, that it wasn't good for me."
She hums, twirling the cigarette around.
"Mm. You know what else is a bad habit?" Wanda asks, glancing him over. "Sneaking up on people without letting them know you are there. You may not think it will kill you, but it might."
"Yeah, well.." Clint pauses, slowly goes on. "Pietro said I could hang around. That's okay, right?"
"Yes, of course."
He lingers for a minute after, looking torn between the decision to stay or to go. She doesn't mind either way, not really. She came out here for silence, to get lost in the city, and spend some time out of her head, but after what happened last night she can't pretend that she wouldn't mind the distraction. Clint seems to understand, in his own way, because he quickly makes the decision to come out here and join her, at least for a little while.
"Room out there for two?" he asks, and it sounds like he's smiling. "Or was what you just said a threat? And maybe I should take my beer somewhere else?"
Wanda sighs and glances over her shoulder, looking directly at Clint for the first time since he came over to the window. She lifts an eyebrow, stubs out the rest of her cigarette, and then stretches out a hand for one of the beers clutched to his chest. She is curious about what he's doing here, since they've never really sat out here and had drinks together before. Sure, they've spent time together to get to know each other, for themselves and for Pietro, but this is different.
There's something in the way that Clint is watching her now that feels different. Wanda doesn't linger, doesn't even consider asking him what it is, because she doesn't really want to know. She just holds out her hand for the bottle of beer that he still doesn't hand over to her just yet. He smiles a little, as if teasing her, and she fights the urge to roll her eyes.
"Those are my beers, but you are welcome to stay and drink one." she answers soon. "Why are you still here anyway? Pietro could be gone for hours?"
"Well, I'm going home later." he laughs, popping the lids off both bottles. "So you don't have to worry about that. I'm just hanging around until Pietro gets back. There was something I wanted to ask him and I couldn't put it off any longer."
Curiosity stirs up inside of Wanda. She takes the bottle when he offers it to her, then lifts her gaze back to his, still curious and wanting to know more. If he intends on sharing this with her, whatever this is, whatever reason he's here, then he doesn't make it at all clear. He just takes a sip of beer and smiles, his gaze hard to read as he rests against the window pane.
"Really." Wanda hums. "And what would that be?"
"No, it's not that. Nope, not what you're thinking. It's something else." Clint's quick to add, half-smiling as he goes on. "It's this party I agreed to go to, while I was very, very drunk. So wasted drunk that I didn't remember, but I do now and I need a date. Or someone to stop me from killing Stark. That's all. It's simple, really."
Wanda quietly nods along, not sure what to say next, or if there's anything for her to say at all. She shifts her gaze down to the bottle in her hands and starts to run her fingers over the edges, only now realizing that her palms are covered with dark little marks from where she hit the pavement last night. She quickly looks away and back up at Clint, who offers her another, softer smile.
"So." he sighs. "Pietro know about your bad habit?"
"It is not a habit, just an occasional thing."
Clint thins a smile, amused. "You know that sounds eerily similar to what people might call a habit. But, hey. What would I know?" he asks, between sips of beer. "You know I'm actually thinking of quitting myself, or I'm trying to. Your brother bugs me about it so much, it might just be easier to quit than to list to him go on about it."
There's a pause, only small, as Clint's smile softens and a flicker of warmth darts across his features.
"Also I think it would make him happier if I quit, you know?" he admits. "It's just that I think I can do it, then something stresses me out and I can't."
"He only bugs you because he cares." she says, gentler now. "That's all. It is his way of showing that he cares."
Then after this they share a look, something quiet and unspoken, before Clint sighs and climbs out through the window to join Wanda on the fire-escape. He ends up sitting there with her, feet flat on the metal ground, a hand around his beer and the other against his side. So apparently there is enough room out here for the two of them, not that she thought there would be. It's a little close, crammed even, but Clint leaves enough space between them to make sure that she still feels comfortable out here.
He looks out at the view slowly, like he's trying to find the words for what's on his mind. She already knows that there's something there, something that he feels that he needs to say to her. If it wasn't obvious before by the way he lingered and the beers he grabbed for them, it's obvious now from his silence. She's good at reading people and he's a little easier than most.
"You want to say something, don't you?" Wanda asks, curling her fingers around the bottle. "It's about my brother, yes? You want to say something, I can tell, so just say whatever is on your mind."
Her gaze flicks away from Clint after this, down to where her hands are curled around the cold bottle of beer. Her rings—black, and red, and silver, all with tiny stones—make quiet noises against the bottle as she strums her fingers against it. Wanda taps them against the glass one more time, just to hear the noise it makes, to distract herself from wherever this conversation is leading them, even though deep down she already knows where it's going.
"Um, yes. Yes and no. It's also about you." Clint pauses, bites down on his lip. "You're right when you said your brother cares. It's obvious that I care a lot about him, too. Right? More than anything."
She nods. "It is. Why are you telling me this?"
"Look, the thing is, I care about both of you. You and me, we're close now. I care. And caring about someone means saying the things you feel you have to say, you know what I mean?" he begins, stops to drink his beer. "Sometimes there are moments you can't pass up on. You want to, you really do, because you don't want to piss anyone off, or hurt them by saying something, but you can't let it go. You have to say something, there's no other choice. It's just what you have to do."
A minute skips by, the silence hard to break. It's as if Clint is trying to give her a chance to catch up, to work out where this is going, but she already knows. Wanda wishes she could pretend that she doesn't, but of course she knows what Clint is doing here and why today, of all days, he is sitting here with her and trying to talk of such things. She still tries to ignore it, distracting herself with the city.
"I think I understand. What is this about?"
"It's about you." he says. "About last night."
And that's all that Clint says but it's enough that it gets to her, makes her realize that she can't ignore this. Still, she tries to not be so aware of it. Wanda glances out at the city, sips on her beer, and fidgets with her rings, like Clint didn't just say that. She acts like she isn't aware of the way he sits by her side, watching her, but she is. Clint's gaze is steady now, close and intrusive, and she can't ignore it despite how hard she wishes that she could.
"What about last night?"
"I know bullshit, okay? I'm good at reading people, always have been." Clint sighs, wiggles closer. "You know what I do, what my job is. At the security firm, sometimes part of the job means working out when someone is lying to us. I'm pretty good at it now."
"And this means, what?" she asks, trying not to falter. "I don't understand why you are saying this."
"It means that, something happened last night. Didn't it? You don't have to tell me, that's not why I'm here." he explains, his voice calmer now, quieter. "I wish I didn't have to say anything but I care about you, and I can read through it. Pietro's worried, too. But I don't think he figured out that there's more to this, not like I have."
She inhales a breath but doesn't feel better, doesn't really feel like she can breathe again.
"What are you saying, Clint?"
"I'm saying that sometimes I notice things that other people don't. Like this morning, Pietro didn't notice that your bag, wallet, and phone are gone. But I did." he sighs, looks hesitant, but goes on anyway. "Look, we've all been through shit. Some is worse. My point is, if something happened then I want to help. If something happened that you're not talking about, I think you might need to talk about it. If you do, I have a friend at the NYPD you can talk to. Her name is—"
"Nothing happened, okay? Nothing."
His face twitches, fills with sadness. "Then where's your phone, kid?"
For the first few seconds, she doesn't know what to say. Wanda doesn't know how to answer that, or how to really look at him right now, but somehow she does. She stares back at Clint, quiet for what must be a few minutes at least, before slowly she looks away at the city, unable to do much but sit here and replay the memory of last night over again.
"Lost."
"Mm. Wallet?" he asks gently. "Bag? Keys? Cards?"
When it falls silent between them again, she can't find a way to break it. She doesn't want to. Clint's gaze is heavy still and fixed on her, and she just can't do this. She retrieves her beer, finishes it off, then slides the bottle away and looks back up at Clint. She doesn't want to do this anymore, she just wants to move on, forget this ever happened, but it's hard when there's a part of her that wants to break down and tell him everything right now.
It just feels too late for the truth, and she doesn't want to put that lie there between Clint and Pietro. She'd rather have them both believing her story than have them believing different things. She thinks what she really wants is to tell them both the truth, to tell them everything she's ever kept from herself, but she quickly reminds herself why she lied. Wanda thinks of the pain her brother has endured, everything he has seen and lost, and then she thinks about how much he already worries for her and she can't do it.
She can't burden him with this, she won't. Not when he is finally after, after so many years. For so long she remembers hoping that she might see that light return to his eyes one day and now that it's back there isn't anything she wouldn't do to keep it there. So if that means carrying this by herself to protect him, protect his happiness, then that's what she will do.
"I'm not trying to upset you or piss you off, I promise. I'm just trying.." Clint sighs, trails off for a minute. "I'm trying to do the right thing here, 'cause my instincts are telling me that something's going on. You know I'm here if you ever need to talk. Don't you?"
"Yes, I know." she nods. "But there is nothing to say."
"Yeah, figured you might say that. So there was just one more thing I wanted to say, then I'll piss off and you can sit here and enjoy your beer." he promises, then reaches into his pocket and pulls something out. "Now I know you probably don't want this right now, but I thought that it might help, that you could use it one day."
It's a piece of paper, small and yellow, sitting in the palm of his hand. Clint holds it out to her, gestures for her to take it, and slowly she reaches out and takes the folded up note out of his hand.
"I know a guy, his name is Steve. He's a Vet. Served a few tours, worked with us when he came back." he explains, but it doesn't explain anything to her. "He's the guy from my work that I talk about sometimes. Steve Rogers. This is his number. Please, give it a call sometime. Just consider it?"
Wanda frowns, turns the piece of paper over.
"I'm sorry. I don't understand?"
"Yeah, no. It's not that kinda thing. He's happily taken, but that's not really the point. He's a great guy, a fantastic athlete and trainer. So I thought if you felt like you needed some help, maybe he could be the guy to call." Clint says, watching her tentatively. "He's good at training, at teach self-defense and all the things like that. I get it though, kid. I do. From what I've seen, you're fiercely independent. You can handle it on your own, better than any of us."
There's another pause.
Then Clint smiles slowly, in a way meant to reassure her, make her feel better, but it doesn't really. It's not him though, it's this, it's what she went through. She's not sure that there's much that could comfort her, not today, but she still appreciates his efforts to help her. It means more to Wanda than she can say, not that Clint would ever want or expect her to say it.
It's just that kind of unspoken thing.
"Just consider it, yeah? Not the worst thing in the world to need help sometimes." he adds, smile sort of there. "I know it might seem hard at first, but he's a great guy and he'd be happy to help out if that's what you're looking for. Mostly he works out of Brooklyn but that's not really far from here. I'm sure you two could work something out."
"I don't know what I will do," she pauses. "But thank you for this and for thinking of me."
"That's fine, don't worry about it." Clint smiles back. "And don't worry, I won't tell Pietro about it unless you want me to tell him."
Wanda shakes her head slowly and turns back to the city, to the chaos and noise around them. She still doesn't know what she will do about this, or the training, or any of it, but at least there's time for her to decide what it is that she wants to do next.
"I don't want you to have to lie because of me." she says soon. "So I will tell him when I decide what I will do. Thank you, but I will work this out."
"Sure. Take all the time you need. I'll leave you to it."
But before he walks away, she turns back to look at him. Wanda hesitates and glances up at Clint, where he's now standing by the open window, ready to climb through it and leave her to spend some time by herself. There is one thing still on her mind, something that she needs to ask him, before he goes and she gets lost in her head again.
"How is he?" she asks. "Pietro, I mean. How is he?"
"Um, today? Yeah, he's fine. He's fine, just worried about you before." Clint says, words slow, uncertain. "He didn't want me to say anything, but he was worried you weren't okay. Now he seems a little less worried after breakfast, but that's not what you're asking me. Is it?"
She shakes her head, almost smiles.
"No. what I meant is..How is he with you. Is he happy?"
Clint smiles, slow and sweet. "Yeah, he is."
"Good."
Then suddenly Clint's small and sweet smile grows bigger, turns into a wide and happy grin of disbelief. It spreads over his face quickly and feels infectious, and soon Wanda is smiling and she doesn't even know why. She decides not to question it, to just let herself have this moment while it's here.
"So, um. Wait. What was that? That was approval, right?" he beams. "I'm getting your approval as your brother's boyfriend? Oh, I knew it. I knew you'd warm up to be eventually."
She smiles, turns away. "Don't ruin it."
"Oh yep, sure. Alright. I know how to take a hint, don't worry." Clint calls back, once he's through the window. "I think I gotta go home for a bit, take Lucky out for a walk, but I'll be back later to see Pietro. Need anything from the store while I'm out?"
"No, thank you. I'm fine."
Wanda only half-listens as Clint wanders over to the kitchen to gather up his things. He seems to hang around for a minute, uncertain, and then he comes back over to the window and sticks his head through it, soon letting her know that he's going to take care of all the things she forgot to worry about, things like self-defense training and putting a new lock on their door.
"I'm just gonna grab a bolt lock for the door on my way back, just to be sure. I'll install it while your keys are out there." he explains, gentle again. "Then I can contact someone about getting some new keys and locks for the door. I'll see you when I'm back, just give me a call if you need anything."
She nods and waves him off, her attention glued to the city after Clint leaves the apartment. She thinks that she must stay out there on the fire-escape for at least twenty minutes before she climbs back inside, discards the empty beer bottles into the trash, and pulls another from the fridge. It's just as she's opening it up that she begins to feel overwhelmed with the memory of last night and her talk with Clint.
Wanda knows that she can't ignore this, not really. She's trying hard not to, taking small steps here and there. Last night she stopped by the precinct and talked to an officer and until she hears back from them she's supposed to take care of herself, talk to someone, and just be around family and friends. She's not so sure that she's ready to talk to anyone right now, but there's no ignoring this and hoping it goes away because she knows that it won't.
The note from Clint feels heavy in her pocket. She scoops it out, soon finds herself staring at the number scribbled across it, wondering how she would even contact this Steve Rogers when her phone is gone and she's not sure she wants to spend money on a new phone. There's always the phone in the apartment, and the one out on the street that she could use if she wanted, but she's still not sure what it is that she wants or what she'll do about any of this.
She just knows that she has to do more than she has. She's talked to the banks about closing down her cards and issuing new ones, so that's all sorted. But she still needs a new phone, new keys, and new locks on the doors, which she's thankful that Clint is taking care of because she's not sure that she can do this all by herself. It only really dawns on her now that she doesn't know if she can do it on her own, but it doesn't feel like there's any other choice.
With that on her mind, she returns to the fire-escape. The memory of last night comes back to her suddenly, a flash of silver, the feeling of his hand tight around her wrist, before he snatched her things, pushed her to the pavement and fled. Wanda lets out a breath and looks up at the city, leaving the bottle of beer untouched and forgotten in her apartment for now. She leaves it all behind and settles in, pressing her back against the wall and tilting her gaze up to the sky.
There's only a little bit of sunlight left in the sky now, everything else is dark and fading into the afternoon. It's still beautiful though and she can see that, even now. Wanda observes it all for a while and then closes her eyes, breathes it in, and for a long time it feels nice. Then it comes back to her. She draws in a breath, presses her lips together, and when she swallows she swears that she can taste it again. Blood, sticky and warm, filling her mouth.
And just like that, she's back there again.
* * * *
A bouquet of carnations in a flower-shop window catch Wanda's attention when she's passing by. She steps inside, puts the bunch of flowers in the basket hanging on her arm, and takes a slow and lazy stroll through the rest of the store. It isn't like they really need more flowers, Pietro's extra shifts at the flower-shop two blocks from their apartment always gives them plenty of flowers and then more. But it's just something that catches her eye, something that she feels like doing today. So she buys the carnations, and then picks out two more bunches of flowers, and they're all so beautiful that she doesn't mind spending money on them.
Wanda picks out a bunch of roses, so pretty and red, and a lovely bouquet of Yellow Jessamine. She places the flowers together in the wicker basket slung over her arm, buys them, and then returns outside to continue to her destination for the afternoon: the Farmer's Market. It's not too far from where they live, not really, and she enjoys the journey no matter how small it is. Pietro often comes with her, always making the same noises, the oohs and ahhs, at all the little things he likes and wants, knowing that she will find him cute and buy whatever sweets or fruits that he wants.
Today she's here alone, because Pietro is still at work and she wanted to come by herself. There was no reason not to go anyway. It's a nice afternoon too and she's always loved walking the streets of the market. There's a quiet feeling to it all, something soft and unspoken, that calms her from the moment that she arrives. She thinks maybe it's the familiarity of it all that calms her, makes her feel safe. Whatever it is, she doesn't dwell on it for too long. Wanda moves on, retrieves her note from the basket, and reads over the list of things that they need, and then the few extra things Pietro added to the list at the very last minute.
Things like candy, and blueberries, and the sweets he likes from the store near the apartment. It almost makes Wanda smile just to read his list, thinking about him scribbling down his little notes. She re-reads it once and then slips it away, deciding that she wants to wander around for a while before she starts to pick up the things they'll need through the week. Her trips to the market usually take a while but she doesn't mind, there's something calming about this place. It both comforts her and reminds her of small and faraway things, like the scents in their mother's kitchen, the hours she's spent walking the streets with her brother, or the time spent creating and changing recipes to cook things that tasted like home.
Wanda starts with the berries. There are so many different kinds and she's always loved them, ever since she was little. The stall she ends up at is large and busy, with so many different rows of fruits and berries bursting everywhere. She glances them over carefully, not really looking for much, only the blueberries for her brother. She picks out a few, pays, then puts them away into her basket. She's careful not to crush them or to bend her pretty new flowers. It's busy here today though and quite crowded, and sometimes she can't always tune out the noise but today she can.
She tries to focus on what she sees around her and not on the noises that follow her. Wanda lets herself drift away, only reminding herself of little things every now and then, like what stall she needs to go to next and how tomorrow morning she needs to pick up her new phone on the way to work. Her stomach twists at the thought and she doesn't want to linger on it, to think about what it will be like going back to work. She can't think about it yet, so she doesn't.
Wanda quickly pulls the list out from her basket and reads it again, like she hasn't already memorized it and doesn't know what stall she needs to go to next. For a minute she just stands there re-reading the list, focused on the items scribbled down there. Apples, apricots, peaches, plums, and candy. She smiles and starts to check things off the list, picking up apples and plums, until eventually she wanders over to a stall filled with fresh vegetables and she begins to feel overwhelmed by the noises and crowds around her.
It seeps in now, their voices, his voice, and she can't ignore it. Sometimes it feels like she can block it out, and sometimes it feels like their voices dig into her skin. She's too aware, always has been, even when she was little. She's always been too alert, far too conscious of every little thing happening around her. It feels like a curse sometimes, to be so aware, to have only limited ways to escape from it all. It gets hard sometimes, and heavy, but she knows that she wouldn't change it.
Most days, anyway.
She's not sure today is one of those days but she pushes on. Wanda forces herself to focus on the vegetables at the stall, picking out several, paying, and then placing them away into the basket with everything else that she's picked up so far. It's been a long day today, the kind of day where she can't stop thinking about last night, about all of it, and just as she worries that she is about to lose herself to it, she sees them there. Standing across several rows of stalls, she finds herself drawn to the sight of two young children playing together.
There's nothing bright or noticeable about them, nothing that pulls her eye to look at them, but she does They're just two young children, happy and playing together. The boy is running around with a wooden unicorn, chasing the little girl while she runs around with a blue teddy bear clutched in her hands. It's nothing unusual, she can't think of a single reason why her attention pulls her toward them, but it does and slowly it reminds her of other things, forgotten memories and pieces of her childhood.
Wanda feels her attention slip away slowly and soon she feels a pull to look over at the stand opposite hers. She finds a man standing there by the busy stall, watching her through the crowds. It feels like there's not any reason why she should feel this silent tug to look at him but she does and she can't explain it. His hair is dark and long, cropped just above his shoulders and tucked away beneath a hat. There's nothing particularly bright or bold about his clothes, that isn't why she's drawn to him. He's wearing blue jeans and a black jacket thrown over a pale shirt, but she still feels it, that invisible tug to look at him.
She doesn't know why, she can't explain why it happens. Wanda looks at him for so long and she forgets all about the children playing together, the busy markets, and crowds around her. She looks at him and she forgets, and then she turns from the stall and crashes right into the chest of someone walking by. Her basket crushes hard against his chest, and hers, and then it slips away and falls somewhere on the ground. She feels herself go down with it, and if it weren't for the stall next to her, that she barely manages to clutch on to, she knows she would have gone down hard just like last night.
Wanda flinches and lets out a curse, quietly, in Sokovian. The man above her doesn't recognize the curse, doesn't seem to hear a thing. When she looks up at him she realizes that he's just annoyed at her for this, for the smallest stain on his shirt from where the fruit crushed when they walked into each other. Then suddenly he's off, shouting at someone for a napkin, something to clean this shit away. After he's gone Wanda is left kneeling on the concrete, still for a moment, her hands shaking, before she begins to gather up her things.
She drags her basket toward herself slowly, to look inside and see what can and can't be saved. Her first thought is that everything is messy again. The carnations are scattered over the ground, the plums and berries are all squished and broken in her bag, and there's juice from the blueberries all over her fingers from her shaky attempts at gathering everything up. To make things worse, her hands are shaking again. She knows why, knows that it's not really this and it's the memory of last night. But that's only a moment, she tells herself, over again. It doesn't really feel like enough, doesn't stop her hands from shaking.
"O moj Bože. Zašto?" she sighs, almost gives up.
She doesn't though.
Wanda starts by trying to salvage some of the fruit in the basket, but what isn't crushed is now covered in the juices from the other fruits and it's all such a big mess. She sighs again and stops, almost too distracted by what's in front of her to notice the shadow that appears above her. At first he stays out of sight, his shadow just hovers above her, and then she looks up and half-expects it to be the man who stormed away looking for a napkin, the man who is as responsible for this mess as she is, but she quickly realizes it isn't him.
It's someone else, someone new.
The man she spotted across the stalls, the one she felt the pull to look at, is here with her. He's standing over her now, for about half a second, and then he's kneeling on the ground with her, trying to messily gather up the scattered carnations on the ground between them. Wanda feels herself drawn to him again, in that same way she did just minutes ago, that way she can't explain. She watches him silently for a minute, then looks down at the flowers that he's gathering together in his hands.
"What a jerk." he sighs. "You alright?"
Then he looks up at her, several carnations in his hands. His eyes dart openly across her face now, glancing over the bruises and grazes marking her skin, before slowly he offers her a smile.
"Yes. I think so." she nods, wiping her hands on her dress. Thank you for your help, but I am okay."
Once her hands feel clean again she begins to gather up whatever can be salvaged, to put away into her bag and clean up at home. Her hands are still shaking though, her breaths uneven, and she knows why. It's last night, and it's now, and this mess, and she's so tired—and then suddenly, as if sensing that this is all too much, the man across from her leans in to gather everything up and slowly she begins to feel a little better.
"You sure? I don't mind. Here, let me."
Gently he reaches out for her basket, where it fell on the ground, and he picks it up for her. Wanda watches quietly as he carefully places the broken flowers and bags of fruit back inside her wicker basket. Then she stands, using the stall by her side to steady herself. Her grip loosens once she's on her feet and she lets a breath, quickly looking back to find that he's standing with her. It takes her a minute to realize that he's waiting for something, and she begins to wonder what exactly he's waiting for (to speak, to thank him, to say something) when she realizes he's holding out her basket and waiting for her to take it back.
"I am fine, thank you." she says, quickly takes the basket from him. "My mind was somewhere else. It was my fault—"
"He walked right into you and he didn't come back. I saw it happen, it wasn't your fault." the dark-haired man assures her. "The least he could have done was stick around to make sure you were alright."
Wanda pauses, glances him over once.
"Really, it's fine. Thank you for your help."
The man nods and releases the wicker basket. Wanda's first thought is that most of the Yellow Jessamine are fine, but the carnations are all crumpled and the roses are covered in juices from the crushed fruit. Her eyes flicker over what remains in the basket, searching to see what's left and what she will have to go and buy again. She's almost too lost in her thoughts to notice that the blue-eyed man is still standing there with her, holding out what appears to be a perfectly fine bag of blueberries.
"Here, take these. Take mine." he says and drops them into her basket. "Enjoy."
Wanda reaches into her basket to grab them and give them back, because he's done enough to help and they're not hers. But the man is gone by the time that she looks up again. He's walking away, over to a stall on the far side of the market. She watches him for a minute as he stops, looks back at her over his shoulder, and then sets off in another direction, and even now she feels like she can only watch him. Wanda stays like this until her gaze is pulled down to her basket and she decides that she's tired of this.
She's tired of markets, and noise, and people, so she decides to leave and go home. It's a quiet walk back, she only stops once to pick up candy from the grocer. It's not the ones that her brother likes, but she doesn't feel like going to get them now so this will have to do. The streets grow busier the closer she gets to home, it all feels so busy and loud, and with every step she takes she ends up feeling like she's further away from home.
Her hands are still sticky, coated in the juices of the crushed fruit, and the sensation of her palms stinging is familiar. It makes her walk faster, fast enough that soon she's standing outside of her apartment building, relieved to be here. It always feels good to be home. Wanda carries her basket inside, picks up the mail, and then carefully walks up the stairs and to the level of their apartment. It's only when she reaches for her keys in her pocket that she realizes that she doesn't have them, that they're gone and she hasn't copied a set from Pietro's yet. There's a spare set of keys, but those are currently inside the apartment.
And, to make things worse, she doesn't have a phone to call Pietro from.
"Fuck." Wanda sighs.
She presses her head against the locked door, curls her hand into a fist and bangs on it. Heavily, three times in a row, desperately hoping that Pietro will be home to let her in. It doesn't sound like there's anyone home and when she knocks again it confirms to her that they're not here. It annoys her that she didn't see this coming, that she was so thoughtless, but she tries not to be too hard on herself about it because it's been a rough day.
There's a payphone on the street outside, she decides to use that, and slowly she feels calm again. Wanda carries her things back downstairs, her wicker basket hanging off her arm as she pulls out a handful of coins and picks up the phone. She soon realizes that she's torn between calling Pietro, who will likely be on a delivery for work, or Clint, who she only guesses has a key since they've never actually talked about it. She soon settles on calling Pietro first and she isn't surprised when it goes directly to his voicemail. She leaves a message and then calls Clint, but the same thing happens with him.
Wanda tries again, three more times, before she slams the phone into the receiver and walks away. There's a café about a block away that stays open late, she decides to go there, get a coffee, and wait until someone gets home, and of course that's when Pietro shows up. She spots him riding down the street on his bike, his back-pack clipped together across his chest, his head-set for his phone connected and on. So that's why he didn't pick up. He's on the phone with someone else, and if she had to guess she'd say that it was Clint.
His smile confirms it. She's never seen him happier in his life, before Clint, before they came here. It's the kind of thing she never expected, that he would find such happiness here in this city, and she will always be thankful that he did. Pietro notices her soon, when he's closer to the building, and smiles. He speeds up to reach her, swerves dangerously close to a group of people walking by, and then finally reaches her. That bright and wide smile stays on his lips, as he pulls the bike to a halt, ends the call, and glances her over.
"Sister, what are you doing out here?" Pietro asks, curious. "Are you going somewhere?"
"I was waiting for you. I locked myself out of the apartment."
This amuses Pietro, apparently. He makes a quiet noise that slowly turns into a laugh, then quickly he jumps down off his bike and carries it through the front doors of the building. Wanda speeds ahead of him and leads the way, holding the door open to help Pietro get his bike through. And then she shoots him a look that lets him know that this isn't funny.
"Did you get my candy?" he asks, his next question. "The berries? What else did you get?"
Wanda sets off up the stairs, not looking back.
"Blueberry juice. Over my dress, and hands, and flowers."
"Juice?" he calls back, distracted. "How?"
"It's nothing, I just want to clean up." she sighs, looks up as he joins her side. "Will you two be home for dinner tonight?"
They're halfway up the stairs now, almost at the apartment door, and soon she'll be inside and she can put the flowers in water, get a start on dinner, and clean herself up. More than anything, she just wants to get clean. It's why she doesn't feel like taking her time, why she's so eager to walk quickly up the stairs. She's in a rush but her brother doesn't seem to mind. Pietro understands and stays close by her side.
"I will, but not Clint. He's working. You work tomorrow?"
Wanda nods. "I am. You?"
"In the morning, just a few deliveries. Clint wants to take me out to dinner, he claims he knows the best pizza place." Pietro tells her, while also juggling his bike, texting on his phone, and patting himself down for his keys. "I said he should not get his hopes up, that I know the best places to eat. He does not know what good food is. Maybe if it is okay, we will take you there one night. Just us? Oh, and did he speak to you about the new lock on the door?"
Wanda simply nods, unable to do much else. When they reach the door she stands quietly by Pietro's side, watching as he digs around for his keys. He throws them to her, after the door is unlocked and open. She barely catches them and steps back to give Pietro room to carry his bike inside. Wanda follows him through, glances over her shoulder at him, then walks over to the kitchen. He follows her there and she is quietly thankful for the new lock on the door, that and how her brother hasn't asked any questions about it.
"Mm, yes. He did." she nods, carrying her basket to the table. "He mentioned it earlier today."
The roses go over to the sink, to be washed and put in a vase, while Wanda begins to sort through the other flowers and pieces of crushed fruit scattered through the basket. She retrieves a vase for the Yellow Jessamine, puts them in water, and then finds another vase for the carnations, but those are mostly ruined now. By the time that she comes back over to her things, she finds Pietro rummaging through her basket in search of his candy. He makes a clear noise of disappointment when he realizes it's not the candy he likes.
She simply looks up at him, a snapped carnation in her hand, blueberry juice staining her dress, and he understands.
"This is fine. It is good, very good. I'm going to shower now." Pietro smiles and scoops up a handful of candy. "Thank you for the candy. I will help with dinner if you like."
Then he leans in, presses a quick kiss to the top of Wanda's head, and sets off for the shower. She watches him from the kitchen as he leaves, where she stands by the sink, gently cleaning the roses and sorting through the mess of broken flowers.
"I'm fine," Wanda calls back. "Go clean up."
Once he's gone she lets herself focus on taking care of the flowers. Wanda cleans them up gently then picks out a purple vase to put them in. She places the vase by the window, puts the bunch of Yellow Jessamine on the dining table, and the carnations over by the TV. Mostly they're broken, but they aren't all ruined, so she places them there and spends a little time wandering through the apartment, watering other flowers that need it and taking care of small tasks she often forgets to do.
She's tidying up one of the bookshelves when Pietro returns, with no word or warning. He's half-dressed in his work clothes, no t-shirt, with a large brown paper bag in his left hand and a smile on his face.
"What are you doing?" she sighs, starts to frown. "The water is running and you're not even in the shower? You think we have endless money—"
"Shh, shh. This is for you, yes?" he says, places the bag down and speeds off. "You can't be made when it is a present!"
Wanda pauses. "A present? For what?"
She gets no answer from her brother, he's already gone, so she doesn't wait for one. Wanda finishes what she's doing and slowly walks over to the brown bag set down at the end of the table. It's a small bag, simple, with a red ribbon wrapped around it that obviously didn't come with the bag. She can tell that the ribbon was a last minute addition from her brother, probably something he found in his room, and it makes her smile. The red ribbon is soft, covered in a pattern of tiny stars, and she very much likes how it feels.
Wanda unties the ribbon gently, sets it aside, then opens up the bag to find a tiny gray dragon inside. It's like the one Pietro broke last night, only smaller, and different, and somehow nicer. It's almost like the old one and she already loves it just as much. She smiles more, picking up the little ornament and calling out a quiet thank you to Pietro, even though she knows he won't hear her now. She reminds herself to thank him again later and carries the dragon to her room, where she sets it down with the other ornaments there, which are all similar in size but that's about it.
Some are wooden, others ceramic, or made of glass and china. Most are gifts from her brother, some from old friends, while there are a few she picked out for herself because she couldn't walk away from them. And then there are the ones that are gifts from Viszh or Helen. It's easy to remember the ones from him, she'll always remember; there's the wooden owl covered in intricate carvings, the small butterfly painted green and purple, and the little dragonfly that hangs out there in the kitchen. That's one that she hasn't looked at or thought about in a while, but she thinks about it now, thinks about Viszh, as she picks up the small butterfly from him.
It feels so delicate, so tiny in her hands. Wanda closes her eyes, aware of how it makes her think about him. She traces her fingers over the wings of the butterfly and the memories come back to her, so soft and faraway. It almost makes her want to go back, to pull out the box tucked underneath her bed, where she keeps her most precious things, and look at what's inside. She almost wants to go and look but she knows that she can't, so she stays here with the small butterfly and smiles at the memory.
She doesn't let herself get lost in it though, it's not that kind of day. No, today is the kind of day where she gets blueberry juice all over her, meets a kind stranger at the market, and gets a sweet present from her brother. She smiles to herself, puts the butterfly down next to the gift from her brother, and walks away. The bathroom is cold when she steps into it, she likes the feeling. Wanda scrubs her face at the sink, cleans her hands, then changes into clothes that aren't stained with juice. She ends up in a baggy t-shirt and sweats because it's all like she feels like, and she's not going anywhere else tonight. When she's done she fixes her make-up, just to hide the worst of it from Pietro, and then she goes back to the kitchen to get a start on dinner.
It's a little early still, and Clint isn't coming so it's just the two of them tonight and won't take long. She still wants to get a start on it though, so later she can sit and paint for a while, maybe even read a book, before the two of them sit down for dinner and then maybe a movie after. Pietro's been bugging her for weeks to watch the new-ish Bourne movie. The one with the guy who isn't Matt Damon, but is still supposed to be pretty good, maybe even better. She knows why her brother really wants to watch it, not for the movie but for the 'babe with the nice arms' he mentioned a few nights ago.
Wanda doesn't mind, she's actually looking forward to it. She thinks it could be nice to escape from her thoughts and spend a few hours with her brother, doing absolutely nothing at all. She lets herself look forward to it, even lets herself feel excited, as she begins to prepare the salad for dinner. By the time she's done she hears Pietro's voice calling her from his bedroom, asking for a clean towel. She grabs one, hands it to him where he's hanging out of his door, dripping water everywhere over the floor. And he's smiling at her like he knows she loved the gift.
She did.
Pietro leaves soon after and Wanda returns to the kitchen, focused on dinner again, until minutes later she lifts her gaze and she sees it hanging by the window. The small dragonfly wind-chime from Viszh, that dangles from a purple string and is painted red, blue, and green. It's small and quiet, sends the softest little songs and noises through the apartment, but it feels like it's been months since she heard the noise. Maybe it should startle her that she learnt how to forget it, taught herself not to hear it, but she doesn't think about it beyond that. She's got things to do, books to read, paintings to finish, and a dinner to cook—but for one long moment she forgets about everything else and lets the calming sound of the wind-chime comfort her.