Styles:
Symphonic cabaret, theatrical, orchestral, multi-layered
Vocals:
Bass (deep), baritone (chants), alto (melodies), soprano (accents), vibrato
Genres:
Cabaret, symphonic, anime-inspired, dramatic
Instruments:
Violins, cellos, harpsichord, orchestral swells, timpani
Tempo:
Slow eerie intro, frenzied crescendo, interlude peaks
Lyrics (Sung):
"[Verse 1 - 4 lines]
The crowd spills through a verdant gate, a world so green, so grand,
A realm where porcelain dreams await, shadows bloom on timeless land.
Air hums low, pulse runs deep, in trees of endless spring,
Whispers rise from mirrored halls, a secret song takes wing.
[Verse 2 - 6 lines]
Suigintou stands, dark and sleek, silver hair in mournful grace,
Kanaria chirps, sly and sweet, giggles dance across the space.
Suiseiseki gleams, eyes so wide, Souseiseki stern and still,
One strays near—privy’s side—glimpses truth, his heart a thrill,
No maidens there, but lads so fair, in frills, ageless, rare!
[Verse 3 - 5 lines]
Crowd erupts, joyous scream, “Shinku lives, voice so clear!”
Hinaichigo twirls, sugared dream, laughter weaves a playful cheer.
Barasuishou, sharp and cold, strides with crystal glare,
Hearts clutch—truth unfolds—paradise beyond compare:
Dolls or boys? Minds unwind, glow in timeless air.
[Verse 4 - 4 lines]
“Gentlelads!” they cry, olden cheer, femboys clad in silken sheen,
No mortal fear, no aging near, they dance through ages unseen.
Echoes roar, voices soar, hymn to youth unbound,
Masquerade of joy and lore, in this eternal round.
[Verse 5 - 6 lines]
Some laugh, some stare, in wild delight, “Are these dolls or lads we see?”
Voices clash, both dark and bright, wonder bends their certainty.
Steps falter, gazes turn, a truth too strange to hold,
Frills and lace in verdant night, tales of neither young nor old,
Crowd sways—lost in sight—a marvel none foresee!
[Verse 6 - 5 lines]
He stumbles past the privy’s glare, “Lads, not dolls, oh, deceit!”
Suigintou smirks, Kanaria trills, twins wink in mirrored feat.
Shinku sips in crimson calm, Hinaichigo claps with glee,
Barasuishou hums, piercing charm—boys in dolls’ eternity!
Crowd spins—girls or lads?—paradise bends reality."
Instrumental Interludes (Non-Sung):
"Beginning Interlude: Slow violins swell with mist, bass rumbles deep, harpsichord tolls. Cellos drone, setting an eerie, timeless mood.
Mid Interlude: Timpani crash, violins whirl, cellos pulse dark. Harpsichord stabs, a mirror breaks, stormy peak fades to silence.
Ending Interlude: Mournful cello rises, harpsichord fades. Violins sweep, timpani thunder once, hum fades ethereally."